Lig Carnival – five Shrovetide costumes (masks)
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Slovenski etnografski muzej
- Read more about Coloured images on glass: An exhibition in the Slovene Ethnographic Museum, 17 May – 3 July 2022
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Coloured images on glass: An exhibition in the Slovene Ethnographic Museum, 17 May – 3 July 2022
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- Read more about The photographic exhibition The golden age of Plečnik’s architecture: Slovene Ethnographic Museum, 5 May – 18 September 2022
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The photographic exhibition The golden age of Plečnik’s architecture: Slovene Ethnographic Museum, 5 May – 18 September 2022
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- Read more about Plečnik’s Lectarija – A new permanent display at the Slovene Ethnographic Museum in Plečnik Year 2022
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Plečnik’s Lectarija – A new permanent display at the Slovene Ethnographic Museum in Plečnik Year 2022
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A look at: Folk art between home and the world
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Pležuh, pok or drdlec: Devices for sliding down snowy slopes
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- Read more about Objects that tell a story: An evaluation of the museological value of the objects from the MEAB collection presented at the exhibition La Doctora
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Objects that tell a story: An evaluation of the museological value of the objects from the MEAB collection presented at the exhibition La Doctora
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- Read more about Collective processes of creative cooperation in the project Made In: Narratives of crafts and design
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Collective processes of creative cooperation in the project Made In: Narratives of crafts and design
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- Read more about The Indian collection of early 20th century prints with Slovene Ethnographic Museum Ljubljana: Between colonialism and Indian nationalist discourse
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The Indian collection of early 20th century prints with Slovene Ethnographic Museum Ljubljana: Between colonialism and Indian nationalist discourse
The Indian collection with the Slovene Ethnographic Museum in Ljubljana consists of some rare prints, that have been collected by Slovene missionaries on bazaars in Kalkuta at the early 20th century India. They open a set of discourses around colonialism and upper caste Hindu nationalism, as well as the patriarchal structures embedded within these. The stylistic features seen in these images are a product of the social cultural milieu they come from, and that’s why the author examines the aesthetics within this context.
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- Read more about »I no longer feel like a museum artefact«!: Oral history, participation and the democratic museum
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»I no longer feel like a museum artefact«!: Oral history, participation and the democratic museum
The article focuses on the working process in the exhibition project: Up YU Go! Stories About Identities on the Line, which was made up of inclusive work over several months with informants as a democratic approach to creating an exhibition. The first part of the article sheds light on the principle of the functioning of a museum as a democratic institution by combining oral history and a participative way of ensuring the empowerment of witnesses.
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