Slovenski etnografski muzej

The article takes a critical look at Orientalist beliefs about the subjugation of women in Islam. It questions whether the suppression of women really is inherent to Islam and summarises some criticism of this type of discourse by various authors and interviewees, focusing particularly on the division of labour and dress habits. It also deals with the influence of national discourses and imageries on the formation of the relations between the sexes.

Članek kritično obravnava orientalistična prepričanja o podrejenosti žensk v islamu. Razmišlja, če je zatiranje žensk res inherentno islamu, in povzame nekatere kritike takih diskurzov s strani avtoric in sogovornic. Pri tem se posebej osredotoča na delitev dela in na oblačilne prakse. Obravnava tudi vpliv, ki ga imajo na oblikovanje odnosov med spoloma nacionalni diskurzi in imaginariji. Prikazati želi, da ima na oblikovanje odnosov med spoloma v Turčiji večji vpliv turški nacionalni projekt kot pa islam kot tak.

The article throws light on the Yugoslav policy of non-alignment and describes the diverse contexts of exchange and contact which contributed to the emergence of non-European museum collections during that time. It outlines the appearance and activities of the Museum of Non-European Cultures in Goričane, which was founded in 1964 as a separate unit of the Slovene Ethnographic Museum, analysing in particular the practices involved in the collection of non-European objects and collections.

Avtorica v prispevku osvetli jugoslovansko politiko neuvrščenosti ter opredeli raznolike kontekste izmenjav in stikov, ki so prispevali k nastanku zunajevropskih muzejskih zbirk v tem času. Oriše nastanek in delovanje Muzeja neevropskih kultur v Goričanah, ki je bil ustanovljen leta 1964 kot dislocirana enota Slovenskega etnografskega muzeja, pri čemer analizira še zlasti prakse zbiranja zunajevropskih predmetov in zbirk. Pri tem ugotavlja, da sta bila nastanek in delovanje te enote muzeja povezana s takratno politiko in načeli gibanja neuvrščenih.

The article describes Boris Kuhar's (1929-2018) career and his role on the Slovene Ethnographic Film Committee and analyses Kuhar's most important ethnological films produced by Television Ljubljana and the Slovene Ethnographic Museum. It presents Kuhar as a very practical film-maker and the first Slovene ethnologist who recorded footage himself and who knew the whole process of film production.

Članek predstavlja poklicno pot Borisa Kuharja (1929-2018) in njegovo vlogo v slovenskem Odboru za etnografski film in analizira Kuharjeve pomembnejše etnološke filme iz produkcije Televizije Ljubljana in Slovenskega etnografskega muzeja. Avtorja predstavi kot izrazitega filmskega praktika in prvega slovenskega etnologa, ki je sam snemal filme in poznal celoten proces filmske produkcije.